Soft Matter is a collection of fabricated vignettes—images that never happened, made tangible through light, film, and frame.

Each piece begins as a visual prompt, a suggestion to the machine. What follows is a dialogue: an interplay between intention and chance, absence and form. These imagined scenes are printed onto instant film using an Instax camera; a process that itself blurs the line between past and present, artifact and invention. They are then hand-framed and mounted with care, elevating each as a singular object. Soft Matter considers what it means to preserve something that never existed—to give weight to the ephemeral, and to hold fiction with a kind of tenderness all its own.